Posts Tagged ‘Alison Gresik’

There are many things to love about London, but my favourite is its celebration of literature. Besides theatre, Sherlock and Doctor Who. Dead authors appear on blue plaques on walls of buildings they occupied (with other famous people, artists, architects, illustrators). You probably already know about the Guardian Books section, the Times Literary Supplement and the London Review of Books. Have heard of the second-hand bookstores on Charing Cross Road. Maybe you have planned a visit to such independents as Foyles and the Folio Society bookshop. Here is a good example of the literary life in London. Last night I went to the Royal Society of Literature’s discussion with Michael Ondaatje. Yes, there’s a Royal Society of Literature; it was founded by King George IV in 1820, to “reward literary merit and excite literary talent.” I am a paying member — but not a Fellow.

Michael Ondaatje

Michael Ondaatje, CBC

Michael Ondaatje was made a Fellow last year, and as a result, yester evening he was asked to sign the roll book, which dates back to 1820, using either Dickens’s quill or Byron’s pen. (He took the pen.) How cool is that? Or is it silly? They’ve had those writing implements since they started. The person who was supposed to engage Ondaatje in discussion couldn’t come, so Colin Thubron, President of RSL and renowned travel writer, asked another person to step in: Fiammetta Rocco, Editor of Books and Arts at The Economist, and master of six languages. Not that he lacked choice; he could have asked any number of approximately 500 literati (Fellows) from the Society to fill in, such as the Director, Maggie Fergusson, the literary editor for Intelligent Life, or the biographer Victoria Glendinning (a Vice-President) historical novelist Hilary Mantel (a Vice-President). The Fellows represent all genres of writing: fiction, poetry, travel writing, biography, scriptwriting, history, playwrights and literary critics. Literary critics? Ok, the AGM is coming up; what if the critic who skewered the novel in a recent review ends up beside the novelist? Some RSL articles can be read online.

What about Ondaatje? Best known for The English Patient, best loved for In the Skin of a Lion and The Collected Works of Billy the Kid, he returned to Sri Lanka, the place of his birth, with Running in the Family and Anil’s Ghost. He has written and edited yet more: you can find out about his work on his agent’s website or buy his books from Random House. The evening’s discussion turned into more of an interview in which he answered questions he’s answered before, and then he read from The Cat’s Table.  Listen here. During the audience questions, a woman mentioned that he has beautiful feet, but he wouldn’t take off his shoes and socks. Here is a PEN conversation between him and Colum McCann in 2008.

Now to bring this post back to the Olympics. The Cultural Olympiad offers 12,000 events and performances across the United Kingdom, in parallel with the Olympics. For example, Southbank Centre’s Poetry Parnassus brings together poets and spoken-word artists from competing Olympic nations to read and give workshops. This is part of the Southbank Centre’s Festival of the World.  Even better, Poetry Parnassus will have a souvenir. Poets submit in their native tongue for the World Record Anthology. The Edinburgh World Writers’ Conference will also have a book to offer as a souvenir, which will gather highlights of a global discussion broadcast online in August into a book about writing today. It will be published after the final conference session in the autumn of 2013.

Did you know there is a storyline for the opening ceremony of the Olympics? It is based on The Tempest. Frank Cottrell Boyce, screenwriter and children’s books author, wrote the storyline and is working with Danny Boyle on the ceremony. Frank Boyce has recently been appointed Professor of Reading at Liverpool Hope University. Yes, reading. He was also involved in the Reader Organisation.

Speaking of readers, Canadian Writers Abroad has readers in Afghanistan, Alaska, Argentina, Australia, Brazil, China, India, Malaysia, the Philippines, the United Arab Emirates and the United States. That’s just on the days that I noticed. One of those readers is also a writer (Malaysia, Netherlands) — Alison has offered to write something for CWA. Which is great, because there’s so much going on this summer that I’m going to Canada. So if any of you readers are also writers, and would like to write a “Letter From” or a book review or something, please drop me a line at canadianwritersabroad(at)gmail(dot)com.

What TV show is filmed in Cardiff?

Olympic rings at Cardiff City Hall, http://www.london2012.com

Sarah Selecky

Sarah Selecky

What do you do when you are writing in a place where no one knows you, or you don’t know the language, and you don’t have a writing group or a mentor to urge you on? You listlessly eye that writing guide you unpacked some time ago. You’re stuck. No, worse than stuck. Writing has started to feel like pushing a train back into its tunnel. If you’re in the wilds of nowhere, you could look to the stars for help. If you’re in a city, and have access to the internet, then help is at hand.

Sarah Selecky is the author of the short story collection, This Cake is for the Party, which was shortlisted for the Scotiabank Giller Prize and was a finalist for the Commonwealth Prize for Best First Book in Canada and the Carribean.

She gave her first creative writing workshop from her living room in Victoria B.C. in 2001. She has studied with and been influenced by Natalie Goldberg, Lynda Barry and Zsuzsi Gartner, among others. She studied writing at the Humber School for Writers and the Banff Wired Writing Program. She has an MFA in Creative Writing from the University of British Columbia’s Optional-Residency program.

“I started teaching because I wanted to talk about writing as a contemplative craft, and I couldn’t find a writing workshop anywhere that taught me everything that I wanted to learn. Now I live in Toronto, and I teach locally and abroad. My classes are a unique hybrid of craft and process….” That’s from Sarah Selecky‘s website. In an interview in The Danforth Review, she says her e-course started as a wish, to get around the problems of time zones and demands on a writer’s time: “I created this course to teach people how to repair their relationship to writing. It’s for writers who know they’re good, or at least have a feeling that they’re good at writing, but they fear doing it anyway. Or they resist it. … It’s designed especially for short fiction writers, but any writer can benefit from the methods.” (12 January 2012)

Of the various online options for writing courses, Sarah Selecky’s short story e-course, Story is a State of Mind, is the most flexible. You work through the seven lessons at your own pace. Each lesson is presented in audio, video and text modules. See Notes for her video introducing the course. It doesn’t mean the course will be easy or soothing. As Selecky says on her website: “I make writers work hard. I kick them out of their patterns and grooves, get them to take risks with style and content, help them recognize and eradicate their own clichés, boilerplate story lines, and other less-than-excellent habits. I want to read stories and voices that I’ve never read before.” Looking at the course content, I see some familiar terrain,  such as dialogue and character, but also much that is new to me (lily pads?). If you are not sure you want to pay $250 for seven lessons (with unlimited access, you can do it as often as you wish), then read Alison Gresik’s website review  of the first chapter of the course.

It must be working. Launched in December 2011, the e-course has already had over 100 participants. If you are reading this and are one of those participants, please click the balloon above and give us a comment on what you thought of the course.

I first learned about this course in Alison Gresik’s “Hours for Art” interview with Selecky, when Selecky mentioned escaping to Hawaii for some quiet time to work. It turns out that Hawaii was but one stop on a journey of several months that included Indiana, Florida, San Miguel de Allende in Mexico for a writer’s conference, and another conference in Chicago.  But it was in Hawaii where she worked on the e-course for two months.

view from desk of palm trees and water

The view from Sarah Selecky's desk in Hawaii

The last leg of her journey was a month in Berkeley, California, where she settled into working on her own fiction. “Now that I’m in California, however, I have started to write again. I am so grateful to be at this new desk, one that I haven’t ruined yet with email, tax returns, or business of any kind (other than fiction business). I sit in front of a window that looks out into a blooming California garden, and I have found a new perspective. I am finally ready to renovate two old stories and see where they can go this year. There is no computer allowed at this desk: only pens and paper.”

Finally, from her website again: “I write. I take time off regularly, go where nobody will find me, and focus on the one thing I need to do the most. And I advise you to do the same.”